Death, 2023
Meteorite fragment, Sculpy, magnet, 405 nm laser
50 x 128 x 15 mm
Photo: Anastasia Mityukova
Relic of an Evaporated Sea IX, 2023
Gypsum, flickering LED, magnetite sand, sediments, pigments
84 x 172 x 55 mm
Deceiver, 2022
Gypsum cement, copper, graphite, pigments, chain
66 x 68 x 14 mm
Cyprian Idol, 2022
Wood, copper, copper sulfate, epoxy clay, acrylic
20 x 150 x 15 mm
Installtion views from the exhibiton L’arcobaleno riposa sulla strada at Istituto Svizzero, Rome, IT
Photos: Ela Bialkowska OKNOstudio
Underneath II, 2022
Copper, gypsum cement, magnetite sand, graphite, pigments, beeswax
65 x 85 x 40 mm
Installtion view from the exhibiton L’arcobaleno riposa sulla strada at Istituto Svizzero, Rome, IT
Right: Meret Oppenheim, Gesicht (mit Hals) Roma, 1985;
Photo: Ela Bialkowska OKNOstudio
Relic of an Evaporated Sea V, 2021
Selenite, flickering LED, magnetite sand, gypsum cement, pigments
53 x 125 x 25 mm
→
Relic of an Evaporated Sea II, 2021
Selenite, flickering LED, magnetite sand, gypsum cement, graphite
78 x 115 x 20 mm
Offrande Météoritique II, 2021
Libyan desert glass, flickering LED, magnetite sand, gypsum cement, graphite, pigments
110 x 148 x 18 mm
Relic of an Evaporated Sea VIII (Sampled), 2021
Selenite, LED, brass, epoxy clay, sandstone
300 x 48 x 10 mm
Elizabeth Philpot VIII (Gespensterkerze), 2020
Belemnite fossil (extinct squid-like species), flickering LED, epoxy clay, magnetite sand, concrete
42 x 108 x 32 mm
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Elizabeth Philpot V, 2020
Belemnite fossil (extinct squid-like species), flickering LED, epoxy clay, magnetite sand, concrete
52 x 115 x 38 mm
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Installation view of Lemaniana at the Centre d’Art Contemporain, Genève
Elizabeth Philpot VI, 2020
Belemnite fossil, flickering LED, epoxy clay, magnetite sand, gypsum cement
86 x 117 x 20 mm
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Installation view of Lemaniana at the Centre d’Art Contemporain, Genève
Elizabeth Philpot IV, 2020
Belemnite fossil (extinct squid-like species), flickering LED, epoxy clay, amethyst, magnetite sand, concrete
44 x 120 x 38 mm
→
DreamOre, book of texts and drawings out now! Published and edited by CODA Press, designed by Landscape.
Biogenesis (Indirect Art), 2020
Colored pencil and graphite on
thermo-sensitive polystyrene on purpurite
37 x 50 x 17 mm
Installation views of Performing this glitCh gives you extra lives_Level 2, 2018, at Et al., San Francisco, CA, with Alice Peragine.
Feat. on Tzvetnik
Carbonate Part (Benglis, Celmins), 2022
Epoxy clay and acrylic on limestone
42 x 130 x 50 mm
Installation views of Morphic Memory, 2017
at LambdaLambdaLambda, Pristina, Kosovo
Feat. on artviewer and Mousse
Network<>Impermanence, 2017
Proterozoic (550 million to 2.5 billion year old) seascape: graphite on thermo-sensitive polystyrene (yogurt container) on fossilized coral
27 x 82 x 53 mm
Vampyroteuthis Infernalis, 2017
Graphite on thermo-sensitive polystyrene on fossilized squid
13 x 16 x 56 mm
Elizabeth Philpot I, 2019
Belemnite fossile (extinct squid-like species), LED, concrete
70 x 40 x 42 mm
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Of the Tethyan Realm, 2019
Colored pencil on thermo-sensitive polystyrene, nontronite, epoxy clay
42 x 24 x 30 mm
+
Her Ancient and Enduring Energies Rising, 2017
300 million year old fern pinnule: graphite on thermo-sensitive polystyrene and smart chip on chrysocolla: formed in the oxidation zones of copper ore bodies
38 x 44 x 48 mm
Exhumed, 2019
Fossil plants, re-used plexiglas, LEDs, copper, epoxy clay
2 panels: 49 x 67 cm each
Installation veiws, Musée cantonal de géologie, Lausanne, Switzerland
Chamber of Displacement, 2019
Audio guide written and recorded for exhibtion Futures Incertains at Musée cantonal de géologie, Lausanne
Interferotics, 2019
Video loop, projector, solar cell, copper, hag stone, audio mixer, speakers
Dimensions variable
Interferotics (Rhône Version), 2019-20
Video loop, projector, solar cell, audio mixer, speakers
Dimensions variable
Installation view at PACE Gallery, Geneva, CH
Interferotics, 2016
405 nM laser, front-surface mirrors, solar cell, audio cable, audio mixer, speakers
Dimensions variable →
Clam Hole Hag Stone Portal, 2019
Projectors, computer, custom software, solar panels, amplifier, speakers, hag stones and various minerals.
Performance at No Moon, Brooklyn, NY
Further documentation: Ofluxo, Tzvetnik
Clam Hole Hag Stone Portal, 2022
Projectors, computer, custom software, solar panels, amplifier, speakers, hag stones and various minerals, 405nm laser, stand
Performance at OnCurating, Zurich, CH
video documentaton
Prototype Terminal, 2017
A provisional installation at Achterhaus Residency, Hamburg, Germany
https://vimeo.com/247027255"
Caffiers, France ca. 400 Million BCE, 2015
Graphite on thermo-sensitive polystyrene
23 x 16 mm
Selection from the series
Small Goals, 2015
Acrylic, graphite and colored pencil on thermo-sensitive polystyrene
17 x 23 mm
The collision of our brane with a parallel one, 2015
Colored pencil and graphite on thermo-sensitive polystyrene
23 x 16 mm
Deep Blue Dream, 2016
screen capture
Genetic metalepsis and the four codes of mineral difference, 2016
Discussion between Nan Hill, Brian Longe, Hunter Longe and a song with Dashiell Longe.
More documentation
Genetic Metalepsis, 2016
Memory metal (nitinol) and projection
20 x 16 x 10 cm
Imperative to Condense, 2015
Stones, laser-cut acrylic sheeting, mounting hardware
137 x 120 x 13 cm
Branes, 2016
scalable vectors
Time Management, 2017
Dynamic Excel spreadsheet, projector, LCD screen, computer
Dimensions veriable
Time Management, 2017
300 million year old (Carboniferous) forest: graphite on thermo-sensitive polystyrene (yogurt container) on rhyolite with garnet: formed at high temperature and pressure.
22 x 54 x 35 mm